A Philadelphia Weekend Part 2 of 2
A Philadelphia weekend continued…
Item No. 002 – The Walkmen Live @ Johnny Brenda’s 12/16/2006
Last month I was severely disappointed when I missed The Walkmen playing down at NYU’s Skirball Center. So since then I’d been looking forward to catching them play their last show of the year in Philadelphia. There was no disappointment. In fact, the performance surpassed all expectation and truly illustrated what Steph called “the brilliance of The Walkmen.”
After waiting a brief eternity for some action on the stage (doors at 8, show at 9 more like doors at 8, show at half-past 10), the opener, Brother JT from West Easton, PA, did not make the time go by much faster. Their first song was quite a rampage after the mild volume of the house mix for the previous 2+ hours. The singer mumbled something about starting loud to draw the crowd in and not to scare us away that didn’t make any sense. The rest of their “fairly psychedelic funk/rock” set was much easier to take in, however the group offered little in terms of visual entertainment besides noticing that the drummer resembled the actor, Chris Cooper. The guitarist and bassist seemed to be cautious of knocking into The Walkman’s piano and organ set up, which limited them to standing in a crowd beside the lead singer, who “repulsed” Steph. The phrases “pig of a man” and “eyes rolling back into head” would bounce around later that night regarding him.So after a painful wait, The Walkmen arrived, and things got going. They eased into the set with a couple of new songs, including one with Mazarin’s Quentin Stoltzfus jangling a super-sized tambourine. (There was also some speculation that Stoltzfus, dawning a red baseball cap, was playing cook downstairs in the bar earlier that evening. Can anyone offer some confirmation on this fact?) He would appear again during the holiday portion of the show wearing the coolest Santa hat I’ve ever seen, reading dialogue off paper plates as The Walkmen played their “Christmas Party” single, which preceded a rendition of “White Christmas.”
The set was a pretty decent spread of The Walkmen’s repertoire. They played plenty of tracks from A Hundred Miles Off including “Danny’s At the Wedding,” “All Hands and the Cook,” and “Louisiana,” during which three fancy ladies accompanied the guys on horns. (Another new track called for more horns – nice.) A chunk of songs came off their first two releases: “Wake Up,” “Thinking of a Dream I Had,” “Little House of Savages,” plus favorites “The Rat” and “That’s the Punchline.” Nothing came off the Pussycats record, though everyone was in the perfect party mood for a round of “Loop De Loop,” and some were let down not to hear popular selections “Lost in Boston,” and of course, “We’ve Been Had.”
All in all, I thought the show was well worth the wait. The Walkmen put on a spectacular show and Johnny Brenda’s was a great, cozy space to see them. Everyone was up and about, and the guys closed out their year with two encore sets. Superb.
Here is a clip of “Wake Up” from the show:
Hear/watch some of the new songs they played & more: http://www.myspace.com/thewalkmen
Dear 
The Punk Rock Flea Market (or “swap meet” if you like, where goods are swapped for cold hard cash, or in rare cases, plastic) takes place bi-annually at the Starlight Ballroom to raise money to support all ages shows at the First Unitarian Church. I’d never heard of the event when my brother told me about it, so I wasn’t quite sure what to expect. At first sight, while driving around in search of parking, the scene looked much like a typical rock show: kids in hooded sweatshirts arriving from all directions and smokers loitering outside. We were all surprised to see such a turnout before noon on a Saturday morning. Inside were about 100 vendors hawking hand-made, found, purchased and collected goods such as prints, collages, jewelry, CDs, vinyl records, vintage clothes, knitted items, dolls, handbags, etc… Stand-out pieces included an intricately crafted pair of chain mail-style earrings (which I purchased from a man wearing a vest of chain mail), a neon orange hunting-inspired knit hat featuring a ferocious bear appliqué, hand-embroidered t-shirts with various ironic statements and illustrations, a set of earrings made with Barbie™ accessories like tiny pumps and hotdogs, and a collection of prints by Kyle Schmidt of Fire Escape Press (K’na purchased one of these). Though the packed crowds made it extremely difficult to navigate and browse through all of the offerings, everyone came out satisfied and at least a little bit closer to broke.
...Penelope’s mother was living on a villa in Tuscany with her seventh husband, Gianmarco Bruscoli, for whom she’d left the Indonesian cobbler, who was more trustworthy than the English stockbroker, who cooked more luxuriant meals than the Belgian pharmacist, who had stolen her away from the Canadian gymnast, who was more sensitive than the Portuguese sailor for whom she’d broken Penelope’s father’s heart. Her mother called Penelope too often and always managed to harass her about when she’d marry her boyfriend, Brody O’Henry, “the doctor.” She disapproved of their living together without marital vows, and she accused her daughter of having inexplicable issues with commitment. Her mother warned her that such a distinguished man as “the doctor” would not be willing to play games with her like “that writer” she used to date.