I first heard The Great Salt Lake by Band of Horses on a lovely mix CD that my good friend gave me. Obsessed, I played it on repeat, turning the volume up at the end to drown myself in the mesmerizing music.
So when they announced their show at the TLA in Philadelphia (oops, I mean The Fillmore), I quickly secured tickets that predictably sold out. I arrived early enough to catch a few songs from opener Tyler Ramsey but I missed Cass McCombs. Though I had never heard Ramsey’s music before, I usually give openers a good listen, eager to give a thumbs up. This time, however, I just couldn’t. He aimed for an ambient, ethereal sound but it came out more like a drone. Some songs started out with promise, but tempo/volume/style shifts a minute into them turned out for the worse. And I can take falsetto only in bits and pieces. Frankly, opening for Band of Horses is no easy task so for that, I applaud him. A for effort.
During the inexplicably long intermission between Ramsey and Band of Horses, I became antsy. Please, roadies, tune those instruments more quickly! But the wait was worth it. As Band of Horses trooped on stage, bearded and hatted, the crowd roared in reverent praise. Hailing from Seattle, the group indeed had a cult following.
Lead Ben Bridwell settled himself at the steel pedal guitar for a crooning first song of Window Blues from their sophomore album Cease To Begin. I got that rush you get the first time you hear a beloved band in concert – and the adrenaline didn’t stop until the house lights turned up post encore. The reverb-filled, vocally-impeccable set included most of the tracks on Cease To Begin including Ode to LRC, Islands On The Coast, and Is There A Ghost. This live performance certainly confirmed that Band of Horses has indeed come of age since the release of its first album. Nevertheless, the biggest crowd pleaser (or maybe it was just the biggest me-pleaser) was The Great Salt Lake from Everything All The Time. Other performances from their first album included Wicked Gil and The Funeral – a song for which my fellow concert go-er astutely speculated Ford paid a lot for to put in its annoying Edge commercial.
I was afraid they wouldn’t play No One’s Gonna Love You, but Band of Horses pulled through in the encore, God bless ‘em. The delay on the guitar in that song gets me every time. The encore also included Our Swords which I did not realize until now was just two basses and drums. Brilliant. Before I wrap up my little review, however, I need to credit Creighton Barrett for some excellent drumming. Perhaps I’m biased – he was the only band member of whom I had a clear line of sight – but he was the most fun to watch with his all-out rocking (even with the brushes!) and wide smile.
The only fault I could poke out is that the show was far too short. Sure, the songs aren’t exactly lengthy, but the night flew by much more quickly than I liked. I would have preferred to hear more from the first album (St. Augustine, please!) but I guess the only remedy would be to see more of them, more often. I know other audience members would agree with me, especially the one in front whose hands were perpetually raised Pentecostal-style at the altar of Band of Horses.